Monday, February 24, 2014

Issue #2 Up for Ordering!

FRIENDS of the 'Youth'-iverse!!!!  Thank you for sticking with us!  We've got Issue #2 up and ready for pre-order!

We are excited to bring you a new issue of 'Youth', ready for your hot hands.  

You may notice an addition to the front cover.  In a few weeks, we'll let you know what 'Cave and Canary Goods' is all about.  Trust me it's a good thing...and when we tell you we've got another HUGE announcement coming that will excite some of you...and the rest of you will pee your pants with excitement.

So...what are you waiting for?  All these comics can be yours!!!! And we've got a combo pack going that comes with both!

Guys, we're excited to get this to you!

Also...keep reading our web comic 'Stalkings' at stalkingscomic.com.  We're really proud of it and it's something to read in between issues of 'Youth'.

We're excited...you're excited!  We're all excited and love you!!!

-Alex & Evan.


Thursday, January 16, 2014

A Real Life Superhero I Know...

Hey guys-

It's been a while, I know.  I say that a lot.  Actually, I'm pretty bad at blogging for 'Youth'.  Sorry for that again.  In truth...not a lot has happened since we last posted, other than us trying to get Issue #2 out the door.  I can tell you we've got the colors back from France, and our colorist Iyane Kane did an INSANE job.  It's beautiful, a little different, but still the same ol' 'Youth'.  I'm excited for you guys to see it.  Manny is finishing up the lettering as we speak, and then we'll have it ready to go.

For those of you who missed out on Issue #1, we are completely sold out.  However, with the first run of Issue #2, we'll print another 30 of #1 so those of you who missed it can pick it up.  Also, we'll bundle the two together for a deal if you want both.  When that's about to happen...we'll let you know.

So, in relation to the title I've got going...I wanna talk about something besides just the comic or myself, or even Evan, who I love talking about.  Granted, this will circle back to 'Youth' but there's reasons for that.  I'm going to tell you guys a story about a girl I knew in high school named Christina Mazzotta.

(Disclaimer:  All these photos are from Facebook.  Sorry Tina...I don't have any others haha.)

Now, some of this might seem bizarre, but having read 'Youth' (if you have), you might be able to surmise that I have an excellent long-term memory.  I can remember very specific details about my past that would usually be glossed over.  So at any point this starts to seem weird (or already has), keep that in mind...

Her name was Christina in middle school.  By high school it was 'Tina'.  I didn't know if that was to do with Aguilera, hitting that regrettable 'X-Tina' phase, but regardless, she was just 'Tina' all through high school.  She's still Tina, as far as I know.  That's what her Facebook says anyway.

We were never particularly close friends.  Classmates? of course.  Spanish all through high school, I think.  Close, though?  No.  We were on friendly terms, we could hold a conversation on topics we thought were interesting, but...there was never some intimate moment where she confessed to me her deepest hopes and fears in study hall.  Actually, we fought a lot during study hall, but that's later in the story...

Tina, when I moved to Aurora in 5th grade, was one of the popular girls.  Not a 'Mean Girl' or whatever that is, just...popular.

She was pretty, smart, nice to just about anyone...she had two Z's in her last name...I mean, at 12 years old, what else are my instincts going to tell me?  She was a hip chick.  She wore Abercrombie & Fitch.  I also firmly believe she liked country music before it was cool to be a girl and like country music.  My friend from the basketball team, Doug Snider, had a huge crush on her.  Probably one of our earliest interactions was based around this sort of thing.  They might have dated in middle school...that detail is quite fuzzy.  But 5th grade, we were all still in one classroom all day, so chances of interaction were very limited.

Sorry Ladies...Circa 2005?  Tina is at the top, right.
But 6th, 7th and 8th grade was class switching.  My next decent enough memory of Tina (besides, as it goes for every other adolescent boy, occasionally developing and harboring a crush which quickly dissolved when you realized that it just wasn't in the cards, socially) was during our 'Farewell to Harmon' talent show the 8th graders put together.  That night, I was an Emcee for the show, Joey Fatone in an lip-synced version of "It's Gonna Be Me" (complete with red hair and a drawn-on beard) and doing a cover of "Californication" with my first band.  Tina was in a medley with some of the gals in the photo to the left, doing choreographed dances from various genres of music.

This is an odd thing to remember but...Tina and her friend Hillary did a dance to a Shania Twain song (Country), and I will never forget this.  The idea before each song was that the girls came on stage and said to the crowd, "This is how we do it."  I don't remember why, but when Tina said it, it was like a throwaway line.  No one seemed to notice this, and the show continued, the girls danced...everything went as planned.  I don't know why this moment sticks out in my mind, but it always had.  It's a moment that my brain has chosen to file away.  We'll get back to that...

So we all went to high school, as most 8th graders do...and with high school came college scares, learning algebra and reading 'The Great Gatsby'.  Tina was a great student, and of course, blended well.  She was still popular...and she dated older guys.  She was just...real damn cool.

High school went by rather quickly I thought.  While Tina focused on her studies and being the wonderful human being she is, I focused on getting decent enough grades, having the few extra circulars I had, and being in bands.  Tina was at one of the first shows I played in my very brief career in a punk band, actually.  I wonder if you remember any of this, Tina haha.  But despite her stint with the punk crowd, Tina was a very motivated individual...which is why I found it curious that our senior year, Tina and I shared a study hall.  I assume she was there to do extra studying.

I was there because I couldn't pick another class to take.

At 7:50am every morning for an entire school year, we'd have our usual interactions.  Good mornings were exchanged between all the grumbling high schoolers who took a 1st period study hall so they could honestly sleep in.  I was one of the few people in my class who turned 18 early enough where it mattered that year...because in November of 2004, it was a George Bush election...and Fahrenheit 9/11 had just come out.  This turn of events provided my most meaningful and prolonged interaction with Tina.  I'll paraphrase:

Imagine this girl calling you an idiot...at the time: humiliating.


Tina: Alex, you're 18.
Me:  Yes.
Tina:  Who are you voting for?
Me:  I don't know yet, really.
Tina:  Well, it's got to be John Kerry.  Bush is a liar.
Me:  Well, he's not the best guy, for sure, but Kerry kind of sucks too.
Tina:  But Bush is such a dick.  Why would you even have to choose?

This conversation went on for about three separate days in October, before Super Tuesday.  I site it as the moment I chose to never take an interest in politics again.  So for that, Tina...I thank you.  You saved me from a lot of panic attacks.

Senior Year and the summer before college went as usual.  I never saw her, and we haven't kept in touch, save for Facebook where you politely tell someone 'Happy Birthday!' occasionally.  She went to college, graduated.  I did the same.  And that's why I'm writing this now.

Congrats again, you crazy kids!
About 4 months ago (maybe?), pictures from my friend Louis Kastelic's wedding surfaced on 'the book'.  Louis, in case you guys don't know, is the real life basis, in character at least (sorry Lou...you ain't that tall), for 'Louis' in our comic.  Louis married his high school sweetheart...oddly enough, the girl who danced with Tina during the country segment of the medley at the 8th grade show, Hillary.  Beautiful photos, lovely couple...but I noticed something.

Tina was wearing a scarf on her head.  Now, at first, I chalked this up to a fashion-forward gal like Tina, who'd always been a little outside the norm when it came to her fashion choices.  I knew she had done some pretty dramatic hair cutting in the past...perhaps another of her choices?

A bit of quick Facebook research revealed that Tina had actually been dealing with a serious medical issue over the last several months:  She had cervical cancer.  A girl...my age...who I had known personally was dealing with this.

So Cheery.
I was kind of taken aback.  My mother has dealt with breast cancer in the past, and luckily, with the right amount of treatment, she was able to get it in remission very early, before it became a serious problem.  So, it's not that I'm not accustomed to people close to me being sick.  But Tina was...my age.  She was vibrant, smart, and from what I could tell, had not changed with the passing years.  If anything, she'd gotten smarter, more vibrant, become a much better person than me haha.

I told my wife, who is the most compassionate person I know.  She commiserated and crossed herself as she usually does when things like this come up.  I kept telling her, "She's 26-27...she's our age.  How does this happen?" My wife shrugged, hugging me.  She couldn't answer, even though she wanted to have the answer.  It was an unfortunate rhetorical question, but I still thought about it.

In the following days I read up on what was happening with Tina.  Her sister has kept a blog throughout the ordeal, and while Tina had done some crazy regimen of radiation and chemo...it hadn't gotten rid of the cancer, and she'd have to go in for another separate treatment.  Another round.

It got me thinking though.  I write characters with powers, dealing with daily life.  They have these incredible things they can do, and the point of the book is that there's nothing to do where they are, so they have to deal with very mundane personal problems.  But...what was the point of that, for me personally?

I often site specific people as inspiration for characters.  Usually, this has to do with how they look in my head when I'm writing their action on the page.  Louis is based on an actual person named 'Louis' because quite honestly that was the face in my head when I wrote it.  Stacy though...Stacy is the only character I've ever totally invented.  She's completely fabricated from the memories I have from high school of every girl I knew.  She's what we call in the writing game, a 'composite' character, a character made up of pieces of several real life sources.  I realize though...after reading Tina's stories and seeing her life in the last year, and really reflecting on my time spent, however limited, with Tina...I realize she informs a great deal of what Stacy ends up being.

Stacy is a tough-as-nails girl dealing with the fact that she doesn't understand what's happening to her.  She doesn't back down, she faces it head-on, without any hesitation.  She's smart...and she's super strong.  There are other aspects to her, yet to be revealed...but it seems that by accident, I've based a good core of the character of Stacy on Christina Mazzotta.  A strong-willed young woman whose not backing down, no matter what the fight.

It's an strange thing to come to such a realization.  I'm excited for Tina (and of course all of you) read these issues of 'Youth' we have in store for the world, so you can grasp these characters the way Evan and I have.  My point is that people are inspiring all the time, in so many different ways.  You never know what or how it's going to effect you.

In her blog, she constantly reminds people, "No pitty please."  And in the spirit of that...To you, Tina:

I know this probably seems weird, but you're someone without a bad bone in their body and to say I'm thankful for this 'accidental' revelation is an understatement.  It's inspiring, and you were always someone people we're watching.  I guess I was one of them, because you've wound up in this comic book, in some way.  In a word...you rule.  Thanks for the stories.  Thanks for being you.


'Til next time Bat-friends,

-Alex (& Evan)







Tuesday, July 2, 2013

Paying money to pay money to get a movie/comic/book/story/whatever...

Hey "Youth"-iverse!

We're prepping issue #2 as we speak.  Evan is finishing up, and we're really hoping to get it out to you soon.  We'll keep you posted for pre-ordering. Details as soon as we're certain when we can get it out to you.  Thanks for sticking with us...it'll be worth the wait.

I know there's a long wait between issues and there's reasons for that, as I've blogged about before, but that leads me into what I wanna blog about today.

As the title may suggest (or not), I'm gonna spend the majority of this post talking about Kickstarter.  Not because we're going to do one...but because we've been asked WHY we aren't doing one, and I want to explain why and then get into what it means to the indie community at large.

To preface...I've used crowd-source funding before.  I wrote and directed a play this year that I raised $3500 for on Indiegogo.  So, before you say, "...The hell does this guy know?"...these are my credentials, and I learned from George Carlin when you start talking about stuff like this, you should always have your credentials in good order, so...those are mine, just so we're clear.

In the last few months, Kickstarter campaigns have become the talk of the town (I'm in Los Angeles, for those curious or needing a frame of reference) because a lot of people are thinking it's going to flip the studios on their heads, and change the model for how films are produced/made/funded/distributed...what-have-you.

Firstly:  I totally disagree.  Studios are necessary, evil or not.

You can't crowd-source a flick like 'The Avengers'.  If you did, it would look like the poster below:

It's real.  So is the one parodying "The Dark Knight".

I think the lightning rod was Zach Braff.  I feel for the guy.  He got the brunt of the anti-kickstarter assault, and I figured it would happen because he's NOT Veronica Mars.

'Veronica Mars' is a brand.  It's a beloved cult classic that a lot of people wanted to see again.  There's dozens of these TV shows, unjustly cancelled before their time, that fans BERATE (and I do mean BERATE, because...well, I'm one of those fans) studios for shutting down.

The difference between 'Veronica Mars' and Zach Braff's flick, from my estimation, is you have a rabid fanbase for a cult favorite TV show begging for a revival, a reunion...

...and then Zach Braff wanting to make his follow-up to 'Garden State'.

The other issue with Zach Braff, and I actually appreciated this...was in his video, he was totally and completely honest.  He didn't want to deal with his financial backers regarding final cut and final casting decisions, so he came to all of us, as anyone trying to make an indie would...and we shit all over him.

Why?  Because he's perceived as a pretty rich dude, which he very well may be.  but I don't think that's the reason.  People hand rich people money all the time.

I think it's the entertainment factor.  Studios make blockbusters and big tentpole movies, and HUGE, billion-dollar franchises because that's what's making money.

Escapism.

And I say this as a writer of things that I believe are fairly 'indie' and someone who loves watching those kinds of movies.  But then, I also love watching the indie flicks...the tiny movies that cost nothing.  I LOVE those flicks.

But ultimately, I'd choose to see a movie in the theatres about a good-looking young gal detective vs. a struggling actor finding his way.  Now, when I'm in my living room...it's different, but spending 13 bucks at a theatre?  You wanna be entertained.  You wanna see shit blow up, lenses flaring, Avengers avenging, Superman...'super'-ing.  At least that's what I think.  I mean, he still met his goal, and so really, this argument of mine is total crap, but all this setup is to discuss why we at 'Youth' aren't doing a kickstarter.

Back before we printed the first issue, we thought about trying to raise about $1,000 for startup.

We didn't because we're partly too lazy.  We just never did it...and partly because I think a video with these two faces asking you for money might seem creepy:

It was New Years Eve Karaoke, Alright!
...But mostly because this us trying to get YOU to read what we've done.  I shouldn't be asking you to finance a book that then you are sort of obligated to read.

We want you to come to 'Youth' organically, and stick with it because you want the story.  Not because you gave us 5 bucks and we need to pony up with the prize.  It's our mission to write you a story you're going to be invested in emotionally, not financially, which is why we ask you to buy the issues, not pay us upfront.  It's what we want for you guys as readers, the experience we want to give you guys.  We're building a business, we're building our careers, and our philosophy (or mine at least...I can't always speak for Evan) is that you guys buy the issues to read the story, not because you know us and feel a moral obligation.

When we print 60 copies of #2, we don't have to pull it from our pockets because we were able to grow our support from an organic place...Granted, most purchases were from friends and family, but there were the odd strangers here and there.  We've got comics in three different stores now!  We've accomplished exactly what we've wanted in this first run, and we're gonna double our output and our fan base with Issue #2.

We're trying new things, story and panel-wise and this book still excites us.  We're hoping it excites you too.

We're gonna get more 'stranger buys'.

We're gonna get more in stores.

We're gonna get more press on this book.

And we're going to do it all without crowd-source fundraising, because we want you to want the book for REAL.

That's my two cents.  Now go fund some kickstarter projects!

A few things to keep in mind:

We've sold out at Paper or Plastik in West LA, but we have comics at these comic book shops still in the LA area:

A Shop Called Quest
101 N. Indian Hill Blvd. Clarmont, CA 91711
https://twitter.com/shopcalledquest

House of Secrets
1930 W. Olive St.  Burbank, California 91506
http://www.artoffiction.com/HouseOfSecrets/

House of Secrets is my 'shop' as it were, so if you go buy there, check it out.  Great friendly staff, huge trade selection, and in general, just a fun place to check out.

I hope you guys are ready for #2.  We're ready to show you.

Stay safe and read "Jupiter's Legacy",

Alex (& Evan by Proxy)

Wednesday, May 1, 2013

Ponderings and A Little Thing About Free Comic Book Day...



Hello from the "Youth"-iverse!

We're plugging away at Issue #2, looking at hopefully a Mid-June release.  We're going as fast as we can!

I promise the moment someone calls us and says, "Hey...can you do this monthly?  We'll pay you..." then you'll have a monthly issue of Youth!  Until then, however, our unruly schedules for how we make money and survive will unfortunately reign.

I'm not complaining either.  We're both blessed to have this story, and have anyone read it.  We're lucky to do what we do.  Evan and I spent 2 years developing this so that it was a clean, interesting story to tell and now we're telling it, and to people that wanna hear it.  We both live in Los Angeles, the media capital of the world, and we have a comic book that is selling.  We're on our 2nd pressing.  And your support has pushed us to start brainstorming new things...Evan has been drawing other things while finishing up issue #2.  I sat down last week and, start to finish, wrote a full Dr. Strange pitch for Marvel (when we get there!).

Evan also storyboards.  He's done stuff for Nat Geo.

I write screenplays and direct sometimes.

I've thought a lot about it, and I realize that besides crippling depression (which is always solid for a burst of creativity), it's your guys' support and interest in what we're doing that makes us go and keep creating.  So for that...I gotta say Thank you again.

Wanted to say, that...

So, a couple of housekeeping things:

-We have Youth #1 in two stores right now:

Paper of Plastik Cafe
5772 W. Pico Blvd.
Los Angeles, CA 90019
-Great Coffee, Great Eats...and they're almost sold out of Youth.  We gave them 5 issues and they FLEW off the shelf.

A Shop Called Quest
175 N. Indian Hill Blvd.
Claremont, CA 91711
-For those of you Inland Empire friends, go check out this shop.  Super cool spot, and they're very down for the cause.

That's California.  To our friends in other states...this is at guerilla as it gets.  CALL YOUR COMIC SHOPS.  ASK FOR YOUTH.  GIVE THEM OUR BLOG SITE SO THEY CAN ORDER.  It's how we get it out there.  Tell your friends if they like comics.

So Great.  Thanks again, Joe.

Oh...hey, I gotta throw this in there.  Last week I bought the debut issue for 'Model Student' from Jake Bell and Joe Bowen.  They do it as a web comic at http://www.modelstudentcomic.com/, and you all should check it out.  I mean, it's just real well-written, lots of fun, kind of violent, and the art is BEAUTIFUL.

If you get a chance, say you're looking for more fresh indie comics after you put down Youth #1...check out Model Student.  Buy the first issue.  Support the indie comic scene.

Also...Jake and Joe are just real swell guys.





On Free Comic Book Day...This is something that interests me.  How do you guys buy your comics?  Now, before I go into this, let me reiterate...THERE IS NO WRONG WAY TO BUY YOUR COMICS...

...But on Free Comic Book Day, places give great deals.  You have the opportunity to read whatever in a lot of instances, so I gotta give my two cents, and take it for what it's worth, but this is what I wanna say:

-Try a new writer.  The way I buy my comics is first based on the writer.  One of my new favorites is James Tynion IV.  Check out his book, "The Eighth Seal" on Thrillbent.com.  Crazy cool stuff.

-Look at the art.  Whether you know it or not, can floor you.  It can completely change your feelings for a book and your interpretation of the text, be it penciling, shading, coloring...even the way characters are drawn.  For instance, Olivier Coipel has drawn Thor in some of my favorite stories, and now...that's how I expect Thor to look.  If we had released "Youth" the way Evan had originally drawn it in it's first iteration, the vibe for the book would be completely different.

-Try something you normally wouldn't.  I really don't like Vampire stories.  That's 80% Twilight issues, and the other 20% being no one has floored me with those kinds of stories...until I read Scott Snyder's "American Vampire"...holy shit.  Just go check it out, because it's awesome...and the art...blows you away.

So, essentially what I'm saying...on a day where you can get cool stuff for a great price...try something different, whether that's based on writers/artists/storylines/characters...just try something bizarre.  Who knows?  You might love it.


Anyway...this was a little ranty...but hey, Thanks for reading!  We'll have issue #2 for you soon enough!!!!!!  Thank you for everything, from the bottom of our hearts!


-Alex & Evan

Wednesday, April 17, 2013

Issue #2 Teaser/Youth-iverse Updates

Hey Everyone!

Hope you're all well.  Sorry, we've been away, but we've been doing stuff!

Evan has been going to town on issue #2, trying to get it prepped for lettering by Manny and I've been working on Issue #3, cleaning up my first draft, and prepping my Illustrator draft.  I sent it to Evan and this was his response after reading through it:

My years in college spent studying writing: validated.
So...that should give you a taste of what's to come in #3.  We're working hard over here.  How are you guys?  It's been a crazy few weeks for us.  Stories?  We got 'em.  here goes:

-We completely sold out of our first pressing.  We printed 60 issues, and burned through them in under a month.  Floored.  We had to go buy new issues.  So, we're all set for the 2nd pressing, no worries.  If you're still looking for one, that's fine, we've got the PayPal set up, and we're both carrying those "Squares" that run credit cards.  So, let us know if you want an issue or anything and we shall provide.  We aim to please. Thank you for your continued support.

-This week we are submitting to Image Comics, Dynamite and Dark Horse.  Keep your fingers crossed they like us, and want "Youth" so you can start seeing it in your local comic shops!




-Speaking of that, we sold our first issues to a retailer, which was pretty cool.  If you find yourself in West LA, near Fairfax and Pico, go check out Paper or Plastik Cafe (http://paperorplastikcafe.com/).  They bought four issues, and according to their employees who keep an eye out on that stuff for us (i.e My wife, Andrea), there's only two left.  Guys, this is how the book gets bigger.  Go to your shops and ask for Youth #1.  If you give them our info, they'll order, and we get the word out.  This gets bigger and bigger and soon, we're doing this full time and blasting out issues as fast as you can read them.  So, thanks to our friends at PoP for their support.  Also, apparently famous people go to the cafe so...people watching.  Boom.  Done.  You're welcome.  I saw Gunn from "Angel" in there one time so...that's pretty much a selling point right there.

-WONDERCON was so much fun!  We met some crazy great artists, hung out with Manny, saw the twin towers of Gotham, Scott Snyder and James Tynion speak at the Batman panel, saw Ivy Doomkitty dressed as Jessica Rabbit, and reaffirmed my distaste for every single Star Trek panel at every Con ever.  Trekkie friends, do they ever ask anything other than, "if you could redo the series, how would you make it better?"  Ugh...that's gotta be frustrating, and I totally DIG Star Trek!
The Marvel Universe...with like, 30 Gambits.
Keep in mind, those Nikes are CRAZY expensive.
If there's one time for Evan
to pay for an overpriced autograph...
it's this one.  Tron himself, Bruce Boxleitner.


So yeah...good times.  Leading up...
-Youth Release Party!  Good time.  We sold a bunch of issues, and some posters.  Evan and I were wondering...would you guys be interested in buying the posters we have?  Let us know and we'll start putting them up for sale on the PayPal site.  More pictures below:
The real life Jim.

What was so great about the party is it really let us know that people were really interested in the story we were telling, and that's, all along, what we've been wondering.

Signing posters and comics.  Drinking Beer.  It's the con that should always happen.

My wife and her friend, Gina, served up drinks and then forced us to give speeches, but it was a great time.  Evan and I are really lucky that my wife forces us to be out there with what we do, so for that...well, I'm sure we'll owe her money some day.  how did she get Gina to do this?  Amazing.  She's amazing.  Sorry, had to gloat real quick...my wife is totally cool.
Anyways....it's been busy.  All that and I just finished directing a play I wrote.  Crazy days.  But anyways...last but absolutely 100% never least...as promised...Here's a teaser for Issue #2.  Thanks and we'll see you soon!



It's gonna get good!


-Alex & Evan







Tuesday, March 19, 2013

Overwhelming Friendship...Thank Yous all around.



Well, we're two weeks after the release of Issue #1 and the response has been overwhelming.

The box is almost empty.  You guys did that.
By my calculations we've sold somewhere close to 30 issues!  Thank you everyone for all your support.  It's kind of crazy.  This idea that started as a class assignment for Evan at the Kubert school has spun into 10 issues of a story we're now in the thick of.

Evan's got inks done for Issue #2's preview pages for the release party.  Speaking of, it's gonna be:

When: Saturday, March 30th, 8-11pm
Where: Project Gallery
            1553 N. Caheunga Blvd.
            Los Angeles, CA 90028

We're gonna have drinks there...I think?  I don't know.  The things I KNOW we'll have there are issues of #1, and preview inks for Issue #2 up for your viewing pleasure.  We'll be there after a day at WonderCon so good times and reverie for all!

So, what I wanna do is take the time to thank EVERYONE we know whose supported us in this endeavour.  Evan probably has some add-ons and I'll let him do that, but this is what I've got so far:

Our Families-  Donna, Pat, Ken, Sue, Yoly, Hugo, Grandma, Grandma, Grammy, Mimi, Megan, Pauli, Karla, Julia, Andy, Jack, Larry, Julie and every ounce of extended family whose cared for us, given us food, lent us a hand, or told us we weren't crazy.

Our Friends- Ben, Carolyn (Cara), Joey, Janelle, Louis, Luis, Matt (several, actually), Brett, Frank, Cynthia, Kelly, Kevin (Kian), Molly, James, Miles, Justin, Neil, Jon, Nicole, Andy, Chris, Scott, Geof, Jake, Rob, Casey, Kaleigh, Ryan, Diana, Dusty, Erica, LindsEy, Matt, Kyle, Noah, Melody, Zach, Simon, Julia, Joe, Manny, Wes, Sam, Aaron, Veronica, Tim, Ben, Liz, James, Craig, Jen, Matt, David, Lauren, Jeff, Zach, Whitney, Ward, Thomas, Tanya, Steve, Stefan, Stacey, Preston, Shanna, Gina, Megan, Darrell, Sarah, Ed(gar), Ryan, Nick, Mario, Kristiana, Michael, Kelly (again...several), Julie, LindsAy, Jason, Jeramey, Joe,  Kevin, Hector, Gayle, Billy, Chad, Chris, Chris...that's close...there will be more later.  Unsure.  If I missed you, consider yourself thanked.  I, We, Love you.

Now some personal thanks, things I gotta say to some people in particular:

To the graduating class of Aurora High School 2005- You have no idea how much you've helped me.  Thanks in advance, because by the end, you might hate me.

Mr. Norton- You are still one of the best teachers I've ever had.  I wish I had better ways to honor you than a comic book cameo, and you have students who have gone on to do WAYYYY better things...but you had a huge impact on me as a kid and this is all I got, so thanks for everything.

Neil Kendricks- You're the only writing teacher I've ever had that didn't massacre story for sake of format.  Thanks for letting me do whatever the hell it is I do, and telling me to keep going, because quite frankly, if I hadn't taken your screenwriting workshop class after failing to get into the film program my first try...I probably wouldn't be doing what I do now.  The world needs, no, REQUIRES more teachers like you, sir.

The Kubert School- I was never a student, but Evan was.  Thanks for requiring Evan to draw someone's else's script.  Probably the best idea I ever had.

Aurora High School (Aurora, OH)- Thanks for the geography of boredom!  It means I have to write better stories.  In truth, the experience I had my 8 years of living in Aurora, and my four years at AHS have pretty much shaped everything that "Youth" is about...save for superpowers.

Ryan Schumaker- I can't wait for everyone to realize you're Jim.  Thanks for helping us with this.

Louis Kastelic- You're not as tall or lurpy as ours...but the name is with you in mind.  I hope you like being in comic books.  You're a great guy.  Thanks for being that and I hope you like what happens in "Youth".

Guys and Girls who were dicks to me in high school and now are going to wind up in this comic book- God, I bet you wish you had been shitty to a physicist now, right?!  Kidding...water under the bridge.  Sorry for being a dick too!  It would be hilarious if I was vindictive like that.

Jeph Loeb- Thank god for you including that alternate scene.  I'd have been lost without it.

Robert Kirkman- Thanks for writing "Invincible" and making me not afraid to write extraordinary stories into ordinary life.  It's continually great, and I hope you don't mind us aspiring to be like you.

Batman- You aren't real.  But you're the reason Evan and I get along so well.

Griffey- Besides Evan, you are the only creative partnership I've trusted over the last year.  You're a great writer, an even better friend, and soon, you'll have to deal with the same rules I do!  We write movies together and that's something important in the coming months, years...you know.  Thanks for not being a jealous mormon wife with "Youth" and letting this "Big Love" continue.  "The Garden" is next...and it's going to be awesome fun.

Lastly, and more important than almost anyone above though (and yeah...this is gonna get pretty sappy, so...I don't care, live with it.)

My Wife/Best Friend/Girlfriend/Fellow Writer/Evan's Best Friend/Inspiration for most women I write, Andrea- NONE OF THIS would have happened if you hadn't had class that day and made me meet up with Ben and Evan even though I am fully terrified of strangers who know people I know, which is why I can confidently say that any success I have in my life is a direct result of knowing and being with you.  You're an amazing human being, and there's no one I trust, love or turn to more.  You're just a good person, and that is all I could ever ask of someone I'm spending the rest of my time with.  Thanks for letting me sulk, piss and moan, bitch about movies, bitch about writing, and be poor as hell.  It will all come back to you in the form of shoes (That's what you want, right?)  Truly blessed.  You introduced me to one of my best friends, and someone I'll work with forever.  Reading over this, it feels trite.  My words still fail me.



That's about all I've got.  I'm sure we've missed people...we'll get to you, trust me.  Thank yous are never complete.

Thank you for everything.  Keep buying Issue #1.  We've got a lot in store for you.

-alex.






Tuesday, March 12, 2013

In Which We Explore Unsettling Things...Like Writing.


(Before I launch in...Thank you EVERYONE who is buying Issue #1.  Means the world to us.  We love you.  Stay tuned.)

I suppose this is only unsettling if you're me.

So, I finished my first draft of Issue #3 last night.  Late into the night, I'm typing.  I keep telling myself, "cut yourself off", and then it's 12:45am, I have to be up in 4 hours, but I have a finished working draft.

My "process" is punishing myself into working, it seems.  But it got me thinking...what is my process?  What do I do to get pages out.

I do other writing too, besides comics.  I went to film school, so I write screenplays a lot, and I'm currently figuring out what my process is for writing a TV pilot, which in my opinion, is about as hard as writing comic books.  But I'm going to dive in a little today about what it takes for me to write an issue of "Youth".  First I'll talk about formatting a little, and then I'll get into content and my basic "process".

To begin with...Comics do NOT have an accepted format, like screenplays and TV does.  There's no set way to do it, you just...do it.  For instance, Alan Moore, the god among men in the comics world...

I have read the first 10 pages of Alan Moore's script for his Batman one-shot, "The Killing Joke".  Now, I say 10 pages because that's what the THIRTY-FIVE pages of script he wrote cover, comic book-wise.  It's insane.  Look for it sometime, because it's pretty incredible.  but when I started writing comics, I knew that wasn't going to be me.  I have the patience for description...but I'm not Alan Moore.

Teasing Issue #3.  My desktop is that Teddy Bear Meme.
The format I use (which is mine as far as I know) got it's basic idea from pages I saw in my trade of the legenedary Loeb/Sale Batman story, "The Long Halloween".  Loeb kindly placed some pages at the back, showing an alternate ending to the story.  I saw this, and assumed that was the accepted format.

I went to film school...we learn that it's either "you format or you die!!!!!!!!!"

So, imagine my happiness when I found out my way of writing comics was...perfect, in a sense.  It was joyous.  We were off.

Evan, of course, doesn't care, because he's drawing it.  But there's times when he asks me about panels, and the action I've described.  Here's the tricky part about comic writing...

...you gotta pick your spots.

You pick the wrong image, and it's gonna come off wrong.  You pick the wrong movement, and people are going to be lost.  Film School has been a great stomping grounds for this issue.  In my head, it plays like a cartoon.  So I know what images I need to tell the story.  but I'm not infallible, and Evan and I are close enough where he'll say, "yeah, that needs to change."

Describing panelling can be difficult.  It's a good exercise for anyone who is married to dialogue, like I am.  Because the visual component is the most important part of comics, picking that out and putting it into a panel is going to be the most important part of your job as a writer.  Same goes for other writing...problem is with comics, you get one shot.  It's one look, and there's ways to manipulate it, but I'm as clueless as anyone is on how that works.  That's for Evan to know, and luckily, he does.

The benefit of us co-creating "Youth" is while it's my job to write the scripts and move us through that way, Evan and I worked on the story first.  We took a cue from TV shows we love, and we have a 12-page PDF file that we call the "Bible" for series 1.  It maps out everything that needs to happen in each issue, and how the events unfold.  There's things we already need to change, but that's essentially the idea of writing a bible for the series...we can change it and not look sight of anything in the larger scope because it's all right there.

And each issue is challenging in it's own way.  Issue #3 for instance, the timelines and story events for these characters happen simultaneously, so I had to, at least this first draft around, figure out how I wanted to do that.  I'm the first person to admit I have a lot of weakness as an overall storyteller, but one of my main issues is muddying timelines with too much focus on a single character.  It's a habit I have because sometimes I fall in love with one story as opposed to the others, and "Youth" is no different.  But it's all about the give and go.  I'm learning, and I hope you guys will forgive when you think it's an issue, and love us when it's not.

So my process for actually sitting and writing varies for each thing I do.  I write with a partner a lot for screenplays, and that involves a lot of pots, yes POTS, of coffee and scribbling in my notebook.  It's good to learn to work with others because when you get the chance to work with yourself, you savour it a little more.

Evan and I's sock choices.  It's telling.
For "Youth", Evan is usually working on the art on his own, and I write alone.

It's hard for me to sit down and write.  I'm the kind of person that isn't distracted, just annoyed with my ideas.  I have a fairly bad habit of "logic"-ing my way out of stories I want to tell, and that presents a problem of thinking anything I write is total garbage.  For the record...I don't.  I think I'm a competent writer, with a lot to learn.

The takeaway is the thing that sets me up as a writer in the first place:  Courage.  I have the courage to sit there and write something that not everyone is going to like, including me.  And I'm nobody, by the way.  I'm not published outside of "Youth", I've never sold a screenplay, so my words here are with a whole salt lick.  But it's my opinion that 90% of anything worth writing is having the courage to write it, and that's usually how I approach "Youth".  Evan knows what kind of a writer I am.  If I can entertain him, give him something fun to draw, then that's my goal first and foremost.  He'll tell me if it sucks.

All that being said, it helps to have a series bible to look to and say, "Oh YEAH!  That was a moment I really liked that we came up with."

What I usually do is sit at my computer, and look at the final draft document for a little while.  I type "Youth", the issue number, and then think of a title.

Listen to it again when Issue #3 comes out.
Now, this is something important...I do NOT listen to music when I work.  It distracts me (probably left over feelings from being in a band in high school) and always impedes or muddies what I'm writing.  What I do, is find a song that sets the mood for what I want to start with.

For Issue #3, for instance, I listened to Brand New's first record, "Your Favorite Weapon", which sets me up in a pretty good, "high school" head space.  I hone in on one track ("Logan to Government Center" here) and then I turn it all the way down and put it on repeat...

...and then I start writing.




It's a fairly simple process.  I've written scripts in a week before, which is probably my record.

Editing is a different thing for me.  Some people just want to get a draft done, however shitty it may be.  I usually edit as I go, so by the end I have a workable draft to send to Evan for notes.  After that, I take it back, and REALLY polish what I've got, fix a few things here or there.  This is where I pay a lot of attention to the dialogue I'm writing, because the words are so precious in the bubble.  Thank God for twitter.  It's taught me to choose my words carefully to get my point across.

So it's polished.  That is the draft I send to Evan and that's what I title an "Illustrator's Draft."  That's essentially how I do it.

Everyone is different.  Some are better, some are worse.  It doesn't matter, as long as you finish.  Finishing is the other 10% of writing for me.  Courage and Finishing.  Just get it done.  You did it.  It's yours.

That's about as much as I need to say on the subject.

WonderCon approaches.  We'll be there all days.  We're having a release party, thrown by my wife and all the details are here:

http://www.facebook.com/events/277566369043274/

We'll have Issue #1 there for sale and a 3-page preview of Issue #2 to take a look at.

Finally, follow me on twitter @alexdandino.

See you around, friends.  Thanks for your support.

-alex.